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Despite, or perhaps because of, these constraints, it’s one of the most cinematically alive movies of the year.
In this, his feature directorial debut, Möller makes a whole lot out of very little: a whole lot of dramatic forcefulness out of the most simple and basic of elements, a solitary man struggling to do the right thing.
It might not be the kind of movie that anyone needs to see twice, but its variations on the classic building blocks of suspense implicate our own guesswork in interesting ways.