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The dialogue is earnestly on-the-nose, and there is little in the way of visual excitement in what’s essentially a static board meeting (the story was adapted from a stage play).
A natural ham, Grammer only amplifies what is grandiose and bogus in this material.
While The God Committee routinely resides on the precipice of preachiness, Stark’s script (via St. Germain’s source material) avoids one-note sermonizing and characterizations at most turns, instead maturely investigating the messy intersection of medicine, morality and commerce.