Ending could have been better.

The Fabulous Four aims past the formula trappings and, though its misses might be evident, it also hits the bull’s-eye.

Sheri Linden

The Hollywood Reporter

The Fabulous Four might feel like a series of math problems that don’t quite add up, but it’s still an enjoyable time at the movies — especially if you choose to gobble down gummies at the same rate as the “geriatric” cast of Jocelyn Moorhouse’s raucous comedy.

Sarandon is as close as The Fabulous Four gets to touching on genuine emotion or comedy. . . but the prevailing sentiment is what a shame it is to bring together such entertaining women and then strand them with material so beneath them.