It’s a closed, depressing vision, elevated by compassion and superbly evocative filmmaking.

David Edelstein

New York Magazine (Vulture)

Despite the wildly uneven plotting, Gordon’s atmospheric direction in coastal New London propels the drama, as does her sensitivity to what remains unspoken between people. That everyone in the film is drastically off-balance may just be the point.

Sheri Linden

The Hollywood Reporter

Whatever suspense it musters feels artificial, manufactured in the first half by withholding information all the characters already possess from the audience, and in the second by adding more curlicues and flourishes to the elaborate plot at the expense of nourishing the milquetoast characters.

Jessica Kiang

Variety