It’s a haphazardly constructed half-film, perhaps better issued as a YouTube clip than a feature a little over an hour.

Mike Mazzanti

The Film Stage

While the slim sampler platter would be more at home on an Exorcist commemorative DVD release, the documentary, accentuated with unnerving bursts of music sampled from the works of neoromantic composer Christopher Rouse, should placate the rabid fan base.

Michael Rechtshaffen

Los Angeles Times

It’s stuck between earnest examination of a case and exploitative hustle — and is unlikely to please the audiences interested in either.

Alan Scherstuhl

Village Voice