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If this film is Miyazaki’s true bow, it’s a magnificent final flourish that folds together many of the thematic and aesthetic threads he’s explored through his career: man’s relationship to nature, the majesty of flight, the twin pulls of love and loss. It’s stunning and inscrutable and measures among the best of his works.
In a career full of continuous surprises, The Boy and Heron’s biggest surprise might be just how magical and unique his work still feels after all these years.
What defines The Boy and the Heron is its wistful feeling of looking back.