Despite comic touches, the story stays in the shadows of heart-to-heart talks and ruminations, with contemplative cinematography that sets faces like gems in the darkness and conjures heady visions of Long in Vietnam.

Nicolas Rapold

The New York Times

By the end of the film, the film that seems so much like Collateral on the surface is actually far more personal, reminding us of the unlikely bonds that we can share together as human beings and that it's never too late to find a home and family beyond the conventional boundaries of what is expected.

Lee has crafted strong, sensible character studies, filled with long pauses and reflective beats. It’s just trapped in the wrong vehicle.

Jake Kring-Schreifels

The Film Stage