Buy tickets for The Ministry of Ungentlemanly Warfare!

Suspiria

Find Movie Theaters & Showtimes

for near
in
Hmm... we couldn't find any showtimes for this date and location.

Videos & Photos

  • Official Trailer
  • Trailer 2

Movie Info & Cast

Synopsis

A darkness swirls at the center of a world-renowned dance company, one that will engulf the artistic director, an ambitious young dancer, and a grieving psychotherapist. Some will succumb to the nightmare. Others will finally wake up.

Cast

  • Chloë Grace Moretz
  • Tilda Swinton
  • Doris Hick
  • Malgorzata Bela
  • Dakota Johnson
  • Angela Winkler
  • Vanda Capriolo
  • Alek Wek
  • Jessica Batut
  • Elena Fokina

Atom User Reviews

3.9 out of 5
86
61
40
13
11
POPULAR TAGS
#intense
#creepy
#greatcast
#surprising
#terrifying
#mustsee
#original
#leavekidsathome
#slow
#bloody
#confusing
#greatvisualfx
#seeingitagain
#great
#heartpounding
#awardbuzz
#clever
#notmyfave
#smart
#justokay
Verified Review
#creepy
#leavekidsathome
#intense

You won’t forget the first time she danced

JN
Joel N
Verified Review
#intense
#notmyfave
#creepy
#confusing

The beginning of the movie makes sense, it starts to get creepy, and then half way through it, it’s like, what. the. hell is going on? It gets really confusing....

SS
Samantha S

Metacritic

63
Oct 31, 2018

There are a lot of words that come to mind when watching Luca Guadagnino’s remake of Suspiria: beautiful, gross, overwhelming, frustrating, disturbing, powerful, long, gross, audacious, baffling, explicit, extravagant and did I mention gross?

Metacritic review by Barry Hertz
Barry Hertz
The Globe and Mail (Toronto)
90
Oct 25, 2018

I’m happy to report that I have no idea what’s going on in Luca Guadagnino’s Suspiria remake, and that’s wonderful. The two Suspirias function more as companion pieces than as mirrored twins.

Metacritic review by April Wolfe
April Wolfe
L.A. Weekly
70
Oct 22, 2018

The first time I saw Guadagnino’s Suspiria, I came out pretty much covered in gore, and confounded by the surfeit of stories. Can a splash be so big that it drowns the senses? How does such a film cohere? The second time around, I followed the flow, and found that what it led to was not terror, or disgust, but an unexpected sadness.

Anthony Lane
The New Yorker