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The film ends with the mention of Schrager’s full pardon in 2017 by President Obama. If the discotheque was non-judgmental, so is the film.
Helped along by news clips, the filmmakers do better with the crash-and-burn business story than with the actuality of the Studio experience.
Ultimately, Studio 54 proves a nostalgic, sometimes wistful, other times unsettling look back at a singular period of time.