The movie does not beat you over the head with the tragedy. Rather a love story without the happily ever after that made it sweet and sorrowful.

Many of the scenes here seem to have been shot in a spirit of tense desperation; the comedy doesn’t land, the romance takes too long to get going, and the tearjerking scenes are spoiled by a meta framework that makes Showalter’s job even more difficult.

Dan Callahan

TheWrap

It made me cry at the end, but my tears were as canned and untrustworthy as the sound of a sitcom laugh track. I could barely remember what I had just watched, only that it was often honest enough to make me want to be with my family but never specific enough to justify the fact that I wasn’t.

Where the drama is headed is never in doubt, and the steps it takes to get there are often familiar. Yet by this time we are sufficiently invested in the couple to care deeply. If anything, the intrusion of mortality makes the relationship more believable as both Parsons and Aldridge (Epix’s Pennyworth) imbue their scenes with warmth and heart, regret and exquisite sadness.

David Rooney

The Hollywood Reporter