Tomas is the film’s most captivating element as well as its limiting factor because it’s only possible to bear so much time in his company. It’s a testament to Rogowski’s performance that Tomas’s appeal remains apparent despite his behavior, that his gravitational pull is understandable even as you long for the others to escape it.

Alison Willmore

New York Magazine (Vulture)

This is Sachs’s eighth film and one of his best.

Tim Robey

The Telegraph

Right down to a final shot that’s scored joyously by a brass band, Sachs delivers an achingly beautiful film that’s sexy, sad and so very French.