Thanks to a trio of solid performances (especially the dryly bitter O'Shaughnessy, who suggests a young Helena Bonham Carter), this first feature, although a tad long, nevertheless emerges as a diabolically effective anti-date movie.

Michael Rechtshaffen

Los Angeles Times

The film’s bizarre, gore-soaked premise actually manages to ease viewers into the far more uncomfortable topic of grief – after all, dying is easy, but living with death is much more complicated.

Barry Hertz

The Globe and Mail (Toronto)

In addition to its ability to take this odd premise and run with it, Nina Forever scores by being tremendously erotic. Granted, what’s sexy varies from taste to taste, but the exuberance in passion exhibited by young Abigail Hardingham is refreshing in a landscape of independent films that too frequently play nudity for a cheap laugh or just to tick a box off a potential distributor’s list of requirements.

Jordan Hoffman

The Guardian