Carion, along with his co-screenwriter Laure Irrman, leave things annoyingly unexplained – which would be fine in a poetic meditation on loss and grief that purposefully raises more questions than answers, but is indefensible in a neither-here-nor-there pseudo-intellectual thriller.

Alex Saveliev

Film Threat

An endorsement of milquetoast vigilantism that’s not nearly as knotty as it presumes to be, the French thriller “My Son” is so reserved in its storytelling and vague in its details that all it elicits is a yawn.

Ben Kenigsberg

The New York Times

It’s got a nervously eerie feel to it that’s grounded in Canet’s gripping turn as a dad out to do good for his estranged family.

Jordan Mintzer

The Hollywood Reporter