Cukor doesn't try to hide the stage origins of his material; rather, he celebrates the falseness of his sets, placing his characters in a perfectly designed artificial world. Every frame of this 1964 film bespeaks Cukor's grace and commitment—it's an adaptation that becomes completely personal through the force of its mise-en-scene.

Dave Kehr

Chicago Reader

Audrey Hepburn is a physical wonder; Rex Harrison defines his role; and production designer Gene Allen is the hidden star. A big screen production for the entire family.

Gene Siskel

Chicago Tribune