The result is a metaphor run amok, with a limp plot, implausible action and three barely sketched characters played drearily.

Brad Wheeler

The Globe and Mail (Toronto)

This unflinching yet compassionate depiction of marginalized misfits boasts a few pleasingly poetic flourishes, but it suffers from some common first-time director flaws, notably a listless narrative, thinly developed characters and a relentlessly somber mood.

Stephen Dalton

The Hollywood Reporter

In Vladimir de Fontenay’s Mobile Homes, Imogen Poots gives a performance of such multifaceted distinction that it might be hard to believe you’re watching the same actress from frame to frame.

Sam Weisberg

L.A. Weekly