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Among its many notable achievements, Memoir of War is one of the best films I’ve seen about the ways in which grief can pull a person in both directions simultaneously. Whereas the film’s first half plays more like a thriller, the second half proves to be an emotionally wrenching interlude perched on pins and needles.
Thierry is utterly convincing and compelling from first to last, in a deglamorized but sensual performance of tautly controlled severity and uncompromising rigor.
Large as its historical canvas is, the film is most artful as an interior evocation of a preemptively grieving state of mind.