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Unfortunately, it’s an anticlimactic conclusion at best, full of tacked-on thriller shenanigans that, once they’ve petered out, make you wonder exactly why this story drew the filmmakers’ attention to begin with. The answer to that, happily, can be found in Portman’s every glimmer of nuance.
Lucy In The Sky ends up playing like some unauthorized Jackie Jormp-Jomp version of the Lisa Nowak story, as though they couldn’t get the rights to the names, or to the shit.
What Hawley has delivered is a garden variety bad movie, proving the TV wunderkind of “Fargo” and “Legion” was not quite ready for the big screen.