The film is a modern melodrama of grit, beauty, jagged edges, and resonant dead ends and false starts.

Chuck Bowen

Slant Magazine

This is a ‘minor’ Hong compared to some of the sixteen films he has premiered since 2010 . . . But it’s still a delight, a wistful, smart, chamber piece that gently teases out questions about whether you can love someone without controlling them in some way, whether acting can be sincere or sincerity can be an act, and how much of our life in the present and future is conditioned by our life in the past (a lot, as it turns out – but we knew that already).

This tiny little movie makes seemingly effortless work of convincing us that a comment, a story, a film and maybe even a whole filmography can be both important and casual — in Hong’s case, radically casual — at the same time. It makes Introduction as bracing as a brief dip in a freezing sea after a rather too soju-soaked luncheon.

Jessica Kiang

Variety