Reorienting a typically white male genre around themes of feminist awakening and racial tension is an intriguing proposition, so it’s frustrating that Brosnahan remains blank and the film’s pace plodding.

A slow burn, sometimes to a fault, I’m Your Woman proudly revives a type of old-fashioned cinema with something new to say.

Tomris Laffly

RogerEbert.com

If you’re willing to be patient, the characters become richer, the narrative takes more risks and the set pieces are more enthralling, like an engrossing disco sequence and a lumbering car chase in giant, period-accurate sedans.

Claire Shaffer

Rolling Stone