The extemporized feel to some of the dialogue makes their rapport seem all the more credible and consequently there is something open-hearted and friendly about the performers that keeps the film watchable, for all its faults.

Leslie Felperin

The Hollywood Reporter

Watching it is akin to witnessing Maggie Smith’s The Van slowly rear-end Richard Curtis’s Notting Hill: a cringing slow-mo car crash best viewed between your hands.