Classic.

Molly Eichel

Philadelphia Inquirer

The film’s final shot of Little Edie dancing alone on the filthy floorboards of her rotten hallway is as poignant an image as can be imagined. Simultaneously humorous, pathetic, and triumphant, it is the unconscious statement of a person railing against the world, lost in the maze of her own past and the uncertainty of her future, at once hopelessly deluded and consciously defiant.

Christopher Machell

CineVue