The best thing that can be said about the script, penned by acclaimed playwright Alice Austen, is that it never sounds written. Most of the dialogue seems as if it were improvised by the film’s remarkable ensemble, particularly when scenes of prolonged verbal altercations reach Cassavetes-level decibels.

Matt Fagerholm

RogerEbert.com

Mikhanovsky and Austen train an affectionate gaze on their characters, both as individuals and as part of distinct groups that intersect and overlap with uplifting results.

David Rooney

The Hollywood Reporter

Mikhanovsky mixes different styles of comedy, but he binds them with a realist approach that grounds everything in an offhand, absurdist tone.

Tim Grierson

Screen International