Filmmakers for the Prosecution

It’s all a reminder of the labor and risks that go into creating and preserving essential imagery of the past, even for the most notorious events in history.

Nicolas Rapold

The New York Times

The most interesting portion of this film is footage itself, much of it quite grim, and the search for these German cannisters of film, seeing snippets of how it was gathered up and edited by editor, actor and later director Robert Parrish, among others (mentioned in a letter of Stuart Schulberg’s read in voice over) and was used in the Nuremberg court.

Roger Moore

Movie Nation

[A] fleet, gripping documentary.

Robert Abele

TheWrap