Eno
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- Brian Eno
Letterboxd User Reviews
- Jan 23, 2024
I’m really glad that Brian Eno used his brilliance for good because he would make an incredible cult leader.
Kai SwansonJan 18, 2024Mr. Eno I will teach you how to install an adblocker any time
JordanJan 18, 2024You didn’t like the movie?? WATCH IT AGAIN 😐
Charlie - Jan 24, 2025
I really did not expect to like this, but was very curious about this as an experimental film. The film is generative in a sense that it pulls from something like 7 hours worth of footage but each time you watch it will be a film. I watched versions 4.120, 4.122 and 4.123,…
Kevflix And ChillMay 21, 2024unfortunate that I got a cut of this that was heavy on U2 and had zero Fripp minus one star for making me feel interested in U2
freadeJan 19, 2024I think it’s important when you are making a documentary, especially about an artist, you need to do a majority showing not telling. Show us what the person did/does and why you’re making a documentary about them. This movie is like all telling, it is like 95% Brian Eno…
Connor - Jan 7, 2025
This is an easy documentary to rate but a hard one to review. It’s designed to be a different movie each time you watch it, literally! Director Gary Hustwit has compiled 500 hours of material (so far!), including archival footage of legendary record producer and ambient…
QuillerJul 19, 2024Brian Eno tells Bono to be more passionate, Bowie isn’t quite sure what Brian does, he calls producers “sniveling cowards”, he won’t pay for YouTube (I understand that), Laurie Anderson does nothing, and Eno declares that the purpose of art is to transmit or process…
TimcopJul 15, 2024Gen 3.11. Can’t help but feel bad for anyone who isn’t going to see Brian discussing the music that influenced his work with Talking Heads and yelling “god, shut up” at every advert that gets in his way
Max C. @ JFTFP
Atom User Reviews
Metacritic
More than a biographical documentary, Eno emerges as a brilliant and endlessly inspiring creative manifesto.
The film works most of the time, largely because its subject is such interesting — and warm — company.
You could almost call [Eno] a meta-artist. And this is his meta-documentary; it is not, ultimately, as radical as it purports to be, or as revealing as it could have been perhaps (some external viewpoints would have been welcome), but stimulating and cerebral all the same.