Instead of sinking in, I found myself yearning for the classics it has either been influenced by or is borrowing heavily from. If this were a more academic exercise it should have come with an extensive works cited page.

John Fink

The Film Stage

Strange, challenging and boundlessly confident, this tripped-out noir from the Canadian filmmaker Bruce McDonald (best known for his 2009 horror movie, “Pontypool”) is part lucid dream, part drugged-out nightmare.

Jeannette Catsoulis

The New York Times

Midnight meets madness in a surrealist exercise in existentialism and deft satire that will unsettle the average viewer while exciting those with freakier tastes.

Brad Wheeler

The Globe and Mail (Toronto)