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Annabelle invites unflattering comparisons with scary movies that came before, but its disparate parts never coalesce into a genuinely fearsome thriller.
When it comes to Annabelle’s five or six big stinger moments, Leonetti manages to deliver the jolts, and if audiences are sure to head home complaining about how dumb and predictable it all was, many may also find themselves nursing their significant others’ lightly bruised forearms.
As a blunt object, a machine built to put nerves on edge and fingers over eyes, Annabelle is still crudely (and cruelly) effective. Fear comes cheap.