It was confusing at first, but then everything started to come together and unravel. I really enjoyed it.

Here’s a clever, sideways take on the grimmest of human horrors, a clever parable that delivers the same heavy message, but with mordant wit and originality.

Roger Moore

Movie Nation

Director Ferenc Török departs from the High Noon arc, and finds a way to end the movie with an invocation of violence, rather than an eruption of it. His final image, gruesome and evocative, is unforgettable.

Absorbing and finely wrought, 1945 is not perfect.

Ben Kenigsberg

The New York Times